Prof. Dr. SILA ŞENLEN GÜVENÇ

2022 - Devam Ediyor Prof. Dr.

2015 - Devam Ediyor Doç. Dr.

2009 - 2015 Yrd. Doç. Dr.

2005 - 2009 Araştırma Görevlisi

2000 - 2005 Okutman

2014 - 2015 Üniversite Yönetim Kurulu Üyesi

YL02045056 British Drama at the Turn of the Century (1990-)

YL02045063 Contemporary Drama (Ibsen...)

ING 498 Mezuniyet Tezi

ING 305 Shakespeare I

ING 306 Shakespeare II

ING 409 Contemporary British Drama I

ING 205 16th and 17th Century English Literature

ING 410 Contemporary British Drama II

ING 213 16th and 17th Century English Literature

ING 113 Survey of English Literature I

ING 213 16th and 17th Century English Drama

ING 120 Survey of English Literature II

ING 107 Translation I

Zinnie Harris's This Restless House trilogy as a rewriting of Aeschylus's Oresteia

Metatheatre as Political Satire in Renaissance and Twentieth-Century English Drama

Representations of the Turks in 20th century British travel writing on Asia minor

ŞENLEN GÜVENÇ S. (Danışman)

V.İŞÇİ(Öğrenci), Doktora, 2020

The culture of fear in contemporary british drama: Zinnie Harris' how to hold your breath, Dennis Kelly's Osama the hero and Ali Taylor's overspill

The Representation of the Family in Anthony Neilson's Year of the Family, Mark Ravenhill's Handbag and Linda McLean's Strangers, Babies

Psychiatric power in contemporary British drama: Tom Stoppard's Every Good Boy Deserves Favour, Sarah Daniels's Head-rot Holiday and Joe Penhall's Blue/Orange

'Everendum': National identity and Scottish independence incontemporary Scottish drama

ŞENLEN GÜVENÇ S. (Danışman)

S.VARAL(Öğrenci), Doktora, 2019

Çağdaş Britanya Tiyatrosu'nda korku kültürü: Zinnie Harris'in how to hold your breath; Dennis Kelly'nin Osama the hero; Ali Taylor'ın overspill oyunları

ŞENLEN GÜVENÇ S. (Danışman)

M.Güçlü(Öğrenci), Yüksek Lisans, 2019

Psychıatrıc power ın contemporary Brıtısh drama: Tom Stoppard’s Every Good Boy Deserves Favour, Sarah Danıels’s Head-Rot Holıday and Joe Penhall’s Blue/Orange

ŞENLEN GÜVENÇ S. (Danışman)

N.Çürük(Öğrenci), Yüksek Lisans, 2019

James Graham Ballard'ın romanlarında kentsel uzamın temsili

ŞENLEN GÜVENÇ S. (Danışman)

İ.SERDAR(Öğrenci), Doktora, 2018

Censorship in twentieth and twenty-first century british drama: Representations and responses

Pinterland revisited: Affirming the pinteresque in contemporary British drama

'A Tongue in Oor Heids': The Personal and The Political in Kathleen Jamie's The Queen Of Sheba, Jizzen, The Tree House, The Overhaul and The Bonniest Companie

Foucault'nun arkeolojik çözümleme yöntemi bağlamında Sarah Kane'in cleansed, crave ve 4.48 psychosis oyunları

Convergence of classicism and realism in Ben Jonson's comedies: Every man out of his humour, poetaster, bartholomew fair and the devil is an ass