Symbolism in action: Techno-typology, function, and human-artefact dynamics in figured/non-figured bone plaques from Pre-Pottery Neolithic Boncuklu Tarla, Turkey

Kodas E., Yelozer S., Ciftci Y., Baysal E. L.

JOURNAL OF ANTHROPOLOGICAL ARCHAEOLOGY, vol.65, 2022 (AHCI) identifier identifier

  • Publication Type: Article / Article
  • Volume: 65
  • Publication Date: 2022
  • Doi Number: 10.1016/j.jaa.2022.101393
  • Journal Name: JOURNAL OF ANTHROPOLOGICAL ARCHAEOLOGY
  • Journal Indexes: Arts and Humanities Citation Index (AHCI), Social Sciences Citation Index (SSCI), Scopus, Academic Search Premier, FRANCIS, International Bibliography of Social Sciences, Periodicals Index Online, Anthropological Literature, Humanities Abstracts
  • Keywords: Northern Mesopotamia, Symbolism, Pre-Pottery Neolithic B, Neolithic, Southwest Asia, GOBEKLI TEPE, BEADS
  • Ankara University Affiliated: No

Abstract

Among the artefacts of fundamental importance in the context of symbolism and iconography during the Neo-lithization process in northern Mesopotamia, there is much research about, and publication relating to, human figurines or statues, animal figurines or statues, figured stone objects, stone vessels, bone plaques, wall deco-ration (paint, relief, or incision) and stone pillars. While among these various research topics bone plaques have been noticeably less studied than other classes of small finds, they are gradually gaining importance. From the figurative and typological perspective, these objects carry importance for their visual characteristics and their regional variety, but it is notable that their typological differences and functions are still not well understood. This study opens a new debate about the techno-typological characteristics, regional distribution, and modes of use of these objects starting from a group of bone plaques recovered from burial contexts during the excavations of the Pre-Pottery Neolithic settlement of Boncuklu Tarla in southeast Turkey. Portable symbolic artefacts are found to show significant overlaps between materials, iconography and use as well as regional identities and temporal continuities in techniques and decoration.